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  The Procession

Days before the cremation, relatives "reawaken" the deceased by opening the grave. The remains are cleaned and wrapped in a white sacral cloth and taken to the cremation grounds to await the arrival of the coffin containing the effigy, which takes the place of the actual bones. Bones buried in unclean ground may never enter the family compound.

On the morning of the cremation, relatives and friends visit the house to pay their respects. When all the guests have partaken of a lavish banquet, the village 'kulkul' is sounded to begin the final march to the cremation grounds. Incited by the climactic rhythms of the 'gamelan', members of the dead man's 'banjar' rush into the home and lift the corpse from its stretcher and hoist it, by way of an elaborate decorated stairway (raren), onto a soaring decorated wood and bamboo tower (bade) supported on a bamboo substructure.

The tall bade is a fantastic Christmas tree-like creation beautifully decorated with tinsel, paper ornaments, flowers, glittering mirrors, and expensive fabrics. Since height is considered holy, the higher the tower, the higher the rank of the deceased. Towers for wealthy Ksatriya may attain heights of 20 or more meters, though the pervasive power lines of the island mean the really tall towers of the past are seldom seen today.

For the more elaborate funeral, such as one for a prince, as many as three shifts of 100 men may be required to carry the heavily decorated funeral tower in a tumultuous, setting parade for two or three kilometers to the burning site. A venerable high priest may ride in a sedan chair at the top of the tower, accompanying the mummy; there may even be space provided in front for a small 'angklung' orchestra.

The villagers line up, each with something to carry holy water, ritual accessories, and pyramids of food offerings piled high on their heads. A single, smoothly flowing line of colorfully dressed women leads the parade, carrying a long white cloth attached to the coffin; this "towrope" symbolizes their assistance in transporting the coffin.

Men follow, carrying roasted quail and rabbits on sticks The procession moves boisterously amid clouds of dust and fireworks, in an uproar of music, yelling, and hooting, handfuls of old Chinese coins scattered at the participants' feet. It's important the parade be bustling, crowded, and noisy-this shows the funeral has achieved large-scale public recognition.

Chaos reigns especially around the tower, as relatives struggle to carry the body, each striving to prove loyalty to the deceased. The tower is spun on top of the bearers' shoulders to confuse the soul and prevent it from finding its way back to its house, where it might make mischief for the living.

Since evil spirits may be following, seeking to pilfer the soul, the procession might cross a stream, because spirits hate to get their feet wet, or zigzag down the main street, to confuse the corner-impaired creatures. Finally, the near-stampede streams onto the cremation grounds.

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